Ørnulf Opdahl at Galleri Haaken
By modulating light and shadow as formal devices, mountains and coastlines are rendered as visually resonant forms shaped by memory and atmosphere. As light and darkness shift between intensity and repose, fjords, ridgelines, and seascapes emerge as mental maps, readable as both inner and outer terrains. These paintings appear as stratified layers of time and recollection, where the movements of nature and the human gaze converge in a contemplative encounter. The title Hjemstavn, an archaic yet evocative word for home, points toward a landscape not merely seen, but recalled, and perhaps even relived. Here, the paintings form a liminal space in which the presence of the past and the enduring significance of place are made visible. Not as nostalgia, but as poetic insight.